An LA Crime Story

 

Ice Cream Night

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About Seven Months Earlier…

“Make it extra crispy.” east-LA native Panama Jones said into the drive-through squawk box at the Pioneer Chicken on the corner of Soto Street and Whittier Boulevard. Once a prime cruising spot for low-riders and lovers in the sixties, the Boulevard remained a haven for Mexican life in present day LA. The Micky D’s there puts chorizo in their breakfast burritos and still makes their tortillas with lard. But it was the buttered cloud of a biscuit and the spicy crunch of the fried batter at Pioneer that drew Panama to the fast-food window. A complicated man of marred beauty, he ordered the family meal with three large sides, and four medium drinks. “Thirty-six-forty-nine.” the squawk box squawked. As Angie in the delivery window handed him the two large bags, he gave her forty bucks, “Quédese con el cambio” he told her. The smile on her face getting a three-plus dollar tip made him feel good. A rarity.

He drove away, heading up Soto to Chavez. He turned west, cruising through Boyle Heights to Chinatown. He eased up and around Beaudry Street to a block of small stucco bungalows that overlooked downtown LA. Sweet street with a killer view. He parked in the driveway of a dusty white house, got out and knocked on the front door.

A fifty-ish woman opened it. “What’d you get?”

“Pioneer.” he told her.

“Extra crispy?” He nodded. She looked around then let him in, watching as he almost sauntered past her. Something was different.

“What’s up with you?”

Nothing got past her so he told her, “I’m sober. Two weeks.”

“Why?” She didn’t like this; didn’t like change. It scared her. But a lot of things did.

Panama headed into the living room. Faded swag curtains and a plastic palm dominated the room where three Mexican girls: six, seven and nine played with dolls on the carpeted floor. They smiled when they saw him, grinned when they saw the food. “Mira esto–” he smiled back and opened a third bag, showing them Twinkies, M&Ms and some pretty good chicharrones, “For later.” He put the chicken on the table. They all scrambled to eat. He promised he’d take them out for ice cream after they ate.

“You have time?” the woman asked.

The man nodded, “Yeah. You want some? Pistachio? Rocky Road?”

She shook her head, “It’ll melt.”

She went to a bedroom to gather the girls’ things. Panama quickly opened a sideboard drawer, took out a single key and pocketed it.

An hour later, in the long shadows of late evening, all three girls hurried out to Panama’s car and slipped into the backseat. Without being told, they ducked down, out of sight. Panama got in and drove them down the street, back to Sunset. A few blocks up, he pulled into a strip mall parking lot. Anchoring the north end was a Baskin Robbins. A Mexican kid was working. Panama gave the oldest girl twenty dollars and sent all three girls in to get, “consigue lo que quieras.”

They ran inside to try their best to decide between strawberry, lemon, fudge swirl, chocolate chip and twenty-seven other flavors. Panama stayed in the car and made a call. It was quick.

“Hey man, look– Sorry about this but it’s gonna be a few days late, Tuesdy. is Tuesday OK? No, they’re not getting any younger but it’s just the day after tomorrow.”

Marigold Walls

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The marigold colored walls of Barragan’s main room screamed sunshine. Rhea headed for the darkness of the bar. It was a little after seven on “Dollar Taco Monday” – an easy choice for her first review. The tacos were OK – somewhere between the fresh grilled asada ones at the Saturday night Pop-ups on Yale St. and the ones at Taco Bell. And at a buck a piece she could easily meet Manny’s five dollar limit.

She sat at the end bar stool next to a long verticle window. where she had a sliver of a view of the street outside. Sunset Boulevard started in heart of Boyle Heights – as Cesar Chavez Boulevard – it danced west through the brightly colored hood that defined LA’s origins; it shot past Chinatown where its name changed to Sunset then wove through the hip haunts of Hollywood – gliding past the glitz of the strip, winding through half a dozen stately hoods dripping with the trappings of wealth glimpsed through high hedges and iron gates before it sailed down its final hill and ended at the Pacific. Quite a street. And her view of the Hollywood boys strutting down it was a treat.

“San Miguel dark, right?” The bartender smiled at her. She smiled back,

“Yeah Ernie, thanks. And five tacos. Mixed.”

He slid her the beer and wrote up her order. She took a swig. After thinking a little, she took out her phone. She opened her notepad app and wrote a few words: “Dollar tacos. Back room. Sunset Boys. San Miguel.” She looked out the window, straining to see the boys on the street. It was a good spot to check them out – and maybe she’d find one to share a few tacos with. Several potentials hustled by. But it was still light out and she could see the frays on the edges of their strut and the tired in their eyes. This glimpse of reality sometimes made her wonder what the hell she was doing. Sometimes it even made her vow to quit. She wanted someone with hope and plans and laughter and sincere lust for her. But then dusk would fall and the boys looked better and her need overcame her vow.

A waiter brought Rhea her tacos, a display of chorizo, beefy oxtail, lime chicken, herbs, beans and cacique cream encased in fried tortillas. Heaven. She looked back out the window, maybe someone to share with would walk by. A scruffy girl about sixteen came into view, carrying an overstuffed blue IKEA bag. Rhea drained half the beer in a single gulp, wrapped the tacos in a few napkins, slapped ten dollars on the counter, took the tacos and left.

Outside, Rhea looked for the girl. She hurried past a mobile covid vax truck and two food trucks parked behind it, selling fried chicken, plantains and waffles to the newly vaxxed.

Rhea spotted the girl on the corner. She approached her.

“Sheena?” Rhea said, close behind. The girl turned.

“Officer Porter!” she cried out, recognizing Rhea.

The girl seemed shaky. Are you OK?” Rhea asked her.

“Yeah. Yeah…” Sheena answered, unconvincingly then looked at the napkin-wrapped bundle Rhea was holding. “Those tacos?”

Rhea offered them to her, “One is chorizo.”

Sheena flashed a brief smile as she took four of the little tacos, leaving the chorizo one. “I’ve been looking for you. Where’ve you been?”

“Sorta on a break.” Rhea explained then asked again, “Everything OK?”

Sheena wolfed a taco. Finally she answered, “No.”

“What happened?” Rhea asked.

“Nothing happened really, it’s just… There’s this smell…”

“Where?”

“Down by camp.”

Rhea looked at Sheena’s IKEA bag, “So you’re moving?”

She nodded “Just until it goes away… ”

“It’s that bad?”

“Yeah.” Sheena confirmed.

Rhea tried to offer an explanation, “It’s probably just all the trash there. Or maybe all the piss, soaking the ground.”

“No…” Sheena said, kind of slow. Something was bothering her.

“Could be the muck in the L.A. River.” was Rhea’s next idea.

Sheena looked her in the eye, “It’s kind of a scary smell.”

Remains

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A little after nine that night Rhea followed Sheena along the top of the cement embankment of the LA River. Daylight was nearly gone; shadows were long. As they neared the Chavez Bridge, Sheena pointed down, to a clump of debris under the bridge.

“There.”

“Stay here.” Rhea told Sheena as she scrambled down the bank where it trickled under the Chavez bridge. She walked a few yards to the remains of a homeless camp: a moldy sleeping bag, some squishy old sweat pants, three empty Cheetos bags and an empty can of diet Coke and Progresso Lite Pot Pie soup.

A sudden whoosh of air brushed down on her. She thought nothing of it – LA was a city of Santa Anas – she was used to sudden gusts. But the tail end of the second gust carried on it a faint smell. She knew it well. She looked around for a body but she knew it would be a little farther away. She took another whiff then looked up the opposite embankment toward the street above. A Chavez street bridge crossed over it. The young woman photographer was walking over it. Then she stopped. Through an opening between balustrades, Rhea could see the woman was barefoot. Was she homeless? Rhea wondered, though she seemed too clean. Plus she carried an old 35mm camera and an air of cool. Then she stopped. She looked down. At Rhea. Her expectant look pulled Rhea in like a memory.

“Find anything?” Sheena’s voice broke the spell.

Rhea turned. Sheena was about to skitter down the embankment.

“Stay there!” Rhea called up to her. Rhea glanced back up at the woman on the bridge. She was moving on, crossing to the side Sheena was on. Rhea decided the woman was just another hipster photog, looking for a moody downtown LA pic.

Rhea went back to Sheena. “You have somewhere you can stay for a few nights?” she asked her.

“What is it?”

“Probably just a dead dog or racoon. I’ll get animal control to pick it up in the morning. Is there somewhere you can-”

“I can crash downtown–”

“Try the shelter on San Pedro–”

Sheena shook her head. Hard.

“They’ve got better security now–” Rhea half-heartedly tried to convince her but Sheena wasn’t having it. Rhea understood – it would take an army of security and the compassion of masses to stem the violence and troubles of the homeless in LA. Rhea dug around in her pockets and gave Sheena almost seventeen dollars.
“Get some food. And be careful–”

Sheena took the money. Suddenly she grabbed Rhea and hugged her close. “You too.” she cautioned then hurried across the street and headed downtown.

Rhea walked across the Chavez Bridge. Below her was the homeless camp. Behind her was the city skyline. A few yards from the boulevard on the northeast side of the bridge was a sagging, shuttered old bar called Domingos. She went around to the back. She checked in trash cans and knee high weeds, sniffing and honing in on a spot behind an old tire. There it was: a rotting dead possum. She backed away then turned around. She was facing the back of the bar. She sniffed; smelled something. She walked to the bolted back door and put her nose to the edge of it. She sniffed. She went around to the front. That door was jammed tight with twenty years of grime and a ten dollar lock. Deciding the smell gave her cause, she jimmied it open. Air that held the whiff of charred beans kissed her as it escaped the place. She went inside.

Her eyes adjusted to a hazy darkness. The significant light of an LA night bled through three small curtained windows. She saw a bar against one wall, a pool table in the middle of the small room and a closed door in the back. A page of smoke slid out from under it. The door was locked. Three kicks knocked it open. Smoke veiled the room. Rhea walked through it. A blackened stove stood against against a burned wall, splattered with the scorched remains of a pot of beans that had exploded.

Rhea slid a finger through a layer of soot that covered everything. It was pitted by drops of water from the ceiling sprinklers that had put out the fire. But they hadn’t put it out fast enough. There was a spent extinguisher on the floor, still in the hand of a dead girl lying there. Rhea braced herself against the smell and bent over her. The girl looked Mexican. Her other arm reached out to two more dead Mexican girls, huddled together by the bolted back door. The girls from Chinatown. Their arms were around each other. Their eyes were open. Their bodies were splattered with extinguisher foam. They’re nostrils were blackened with smoke. The youngest one was still warm. Rhea checked for a pulse.

She pressed the sides of the girl’s mouth open. Her blue lips puckered like a snap dragon. The air above her shimmered and rippled then fluttered away, as though she’d exhaled one last dream.

Rhea jumped, a little freaked by the other-worldliness of it.

Back outside on the cement bank across the river from Domingos, the photographer dropped to one knee, steadied her lens and snapped off a half dozen pictures of the shimmer as it rose up into the night sky just above Domingos.

In the blackened kitchen, Rhea checked again for a pulse on the little girl. Nothing. The girl was dead. Rhea took out her phone and snapped a few pics of the dead girls. Then she called the boss.

Baseball Nut

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It was Detective Sergeant Matt Strickland’s night off. He’d had Stouffer’s lasagna for dinner, with an added sprinkle of romano, grilled to bubbling in a toaster oven. He’d watered the 57 succulents he kept on the screened-in little terrace of his ground-floor one-bedroom Hollywood apartment. He’d watched the nine o’clock news then taken four herbal sleep aids. He woke up fast when his cell phone buzzed. When he heard Rhea’s familiar cadence, “Hey Strickland–” he was fully awake.

“Detective– ” he automatically responded, “Are you ok? Where are you?”

“Fine. Cesar Chavez, a half block up from Pleasant. Place called Domingos.” She said no more. She didn’t need to.

He already had one leg in his pants. He hung up, stuck his other leg in, gave his balls a sprinkle with Gold Bond, swished a mouthful of Listerine, shrugged on a worn-out short-sleeved shirt, grabbed his gun and was out the door.

Nineteen minutes later he was inside Domingos, standing next to Rhea, looking down at the three small bodies. He took out his phone and called it in. Rhea hung close, trying to hear as he asked dispatch who was available to partner.

“Who’s coming in?” she asked him after he hung up. He ignored her and looked back at the dead.

“Think they died of smoke?” Rhea asked him for an early opinion.

He knelt down and looked closely at the girls’ sooty mouths. “Probably but…” He looked around “If there was enough smoke to kill them… why wasn’t a fire called in?”

“Grease fire…?” she suggested.

He agreed with the probability. He looked around the room. There were no other exits— “Just these two doors. Locked.” He looked at her. She agreed, pointing to the kitchen door. “I busted that one down.”

“Three girls. Locked in.” he continued his early questions, adding, “Mexican?”

Rhea looked back at them. “I’d say so. They have that beauty.”

He looked around the room again; he peered into empty cupboards and into the empty pantry. Rhea spotted a dense cobweb strung from a corner of a worn counter to the wall. She blew on it. Dusty smoke scattered.

“This place has been closed for awhile.” she realized.

He nodded. “Might be a stash joint.”

“For Illegals.” She said. He nodded again, still thinking. She watched them for a minute, sad. “Some sanctuary city we are…”

He went over to the stove, he studied the burned food that had exploded against the wall. “Probably just cooking some dinner and it caught fire.”

Rhea nodded, “Still… somebody locked them in. Once we find them–”

He turned and gave her a long look. “We?”

Rhea ignored him. She looked closer at the burnt food on the wall.

“Have you even gone to therapy?” Strickland asked.

“Yes.” Rhea answered then looked away, concentrating on some sticky white blob on the counter. Strickland watched as she smelled it. She searched the room for a trash can, finding one in a corner, she looked inside. There were some plastic utensils, two empty soda cans, an empty refied bean can dusted in soot.

She went back to the blob. She looked at Strickland.

“I wouldn’t.” He told her.

She tapped it then licked her finger. She tasted and concentrated. Finally a revelation: “Baseball Nut.”

“What?” Strickland asked.

“It’s Baseball Nut ice cream. Baskin Robbins.”

“You sure?” Strickland asked.

“Yeah.” she was sure. “They only have it in the summer. It’s pretty good. Vanilla with raspberry swirl and cashews.”

Strickland paused, taking a moment to acknowledge her deduction. “I’ll be sure to tell Dawson when he gets here–”

“Dawson.” Rhea shook her head.

“Dawson is a good cop–” he tried to cut her off.

She argued, “Dawson’s wants a headline. There’s no print in dead illegals. He’ll ditch it.”

“Maybe it’s just a fire, and that’s all.” Strickland ended it for now.

Rhea looked back at the bodies on the floor; studying them. Powerless.

Outside, across the river the photographer stood on the bank, searching the skyline. Her name was Daisy Valentine. She was twenty-seven years old. Her blonde hair hung down her back. Her t-shirt said “Endeavour”. Her stance was strong and patient as her eyes searched the skyline for any more puffs of light. Her Pentax was strung around her neck. She held it in her hand, supporting the old zoom lens; The moon was full and rising. She moved her lens until it reflected a beam of moonlight then bounced it over the river bed, pooling its way across the crack in Domingos’ bolted back door.

Inside Domingos’ kitchen, that reflected moonlight found its way through that crack and crossed over the dead girls like a laser. It hit something purple on one of their bodies. It shimmered, catching Rhea’s eye. She looked closer. Transfixed. A sound caught in her throat, a cry. Strickland turned to her and looked at what she was looking at. On one of the dead girl’s wrists – barely visible but now glinting in the sliver of moonlight – was a plastic bracelet with a purple tin charm on it that advertised “Boom Boom Carneceria. Ensenada. Mexico.”

Cold Tacos

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Strickland stared at the cheap little Boom Boom charm. He knew this could mean something. It could mean everything to Rhea.

Or… “It could be nothing.” He reminded her.

“Boom Boom is two doors down from Joe’s–!” Rhea nearly yelled, hating that she was getting emotional.

“I know where it is.” Strickland broke in. “But not every kid that goes missing near Boom Boom was snatched—”

“One was.” She reminded him.

“All I am saying is, you know how this goes– we’ll follow the evidence, but–”

“You need me on this.” She interrupted, emboldened.

“As soon as Dr. Gallows clears you.”

“Eighteen, Strickland. The guy was eighteen–”

“He’d been eighteen for four days.”

“Still… Legal.” She pointed out. Not for the first time. “And this is my case.”

“It’s the Department’s.” he corrected her.

“No pay.” she bargained with him, “The department won’t have to pay me. I’ll stay on unpaid leave and just work this-” Rhea gestured toward the dead girls. He saw the urgency in her eyes and the clarity. He knew she’d be an asset to the case. He knew he probably should let her back on the squad. But she’d messed up. Finding her with some teen going down on her in the back seat of her car set a bad example. Yeah the kid was eighteen and she’d hadn’t paid him – yet – or officially broken the law but Strickland was pissed at her. And hurt. Why she chose barely legal boys was beyond him. He’d invested so much in her. He’d taught her everything he knew about life. About being a cop. He knew he didn’t have a chance of influencing her romantic or sexual choices but he sure as hell was going to make her pay for her bad judgement.

“Go home.” he told her, trying to usher her out of the room.

“I’ve stopped– I promise. OK?”

He turned away as they heard cars drive up. He walked toward the door. She followed.

“OK?”

“Go home.” He told her again as he held the door open for her to leave.

Outside, Rhea crossed over Chavez and sat on a cement bridge railing.

She watched as three of her colleagues walked into Domingos: The CSI tech, the ME and smarmy Detective Dawson. It was hard being outside. She was burning with anger. This was her case. And what if–? What if it led to what happened to her sister outside Boom Boom twenty two years ago? Maybe she should go to the chief – tell him she’d been wrongly probated– But she knew he’d only listen to Strickland. Man she was hungry. She wondered if nearby Guisados was open. She wondered what young men were hanging out at Tommy’s or Torung or Alegria, eating Dim Sum and Phad Thai and French Fries and how nice it would be to eat an onion ring off of one of them. She shook her head to get those thoughts out of it. She forced her mind back to the scene and waited. She looked over the bridge, below it the 101 and the 10 freeways converged. She watched the streaks of red tail lights pouring into LA. This was nearly the exact same spot she was at on her first night in LA., completely alone at seventeen. Twenty plus years later and here she was again, still looking for her sister. What a fucking failure.

She sniffed the air, then sniffed her clothes. She pulled the last Barragan’s taco out of her pocket. The napkins it was wrapped in were blotched with grease. She ate it. It was cold and flattened but still pretty good. She opened her phone notepad. She typed a few words: sausage, ancho, warm night, dollar.

Half an hour later, the ME gently carted three small body bags out. He glanced across the street as he closed the back of the morgue van. He saw Rhea. He raised one hand in a small, inconspicuous wave. She did the same, acknowledging the solidarity. He was the only one who contacted her after her back-seat bust by Vice nine and a half weeks ago and her subsequent temporary expulsion for “indecent behavior”.

Another twenty minutes later, Strickland and Detective Dawson left Domingos and headed four and a half blocks to Main Street Headquarters downtown.

Rhea got in her car and followed. She parked her LeBaron outside and waited for Strickland and Dawson to come out. She was impatient. She took out her phone. She went to an INFO app she used to find addresses and looked up Domingos’ address. She got the name of an owner. She looked him up. He owned a furniture warehouse on Palmetto near Fourth. Just under twelve blocks away. “Furniture. Well hmmm–” she thought. She started her car and took off, heading south, toward Fourth Street.

Inside Headquarters, on the sixth floor, Strickland was online, using department software to find who owned Domingos. He loved that the internet sped all this up. Twenty years ago, he’d have to wait for “business hours” and then call around and visit the various records departments. But back then, they almost had a handle on child exploitation, child trafficking and kid porn. They were almost closing in on it; it felt like they could see an end. But now? No way. The internet was a sickos playground and there were millions of sickos in the world.

Four minutes into his search, he had a name: Leland Hays.

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